Comprehension

You may laugh at a hat, but what you are making fun of, in this case, is not the piece of felt or straw, but the shape that men have given it, -- the human caprice whose mould it has assumed. It is strange that so important a fact, and such a simple one too, has not attracted to a greater degree the attention of philosophers. Several have de ned man as "an animal which laughs." They might equally well have de ned him as an animal which is laughed at; for if any other animal, or some lifeless object, produces the same effect, it is always because of some resemblance to man, of the stamp he gives it or the use he puts it to. 
Here I would point out, as a symptom equally worthy of notice, the ABSENCE OF FEELING which usually accompanies laughter. It seems as though the comic could not produce its disturbing effect unless it fell, so to say, on the surface of a soul that is thoroughly calm and unru ed. Indifference is its natural environment, for laughter has no greater foe than emotion. I do not mean that we could not laugh at a person who inspires us with pity, for instance, or evenwith affection, but in such a case we must, for the moment, put our affection out of court and impose silence upon our pity. In a society composed of pure intelligences there would probably be no more tears, though perhaps there would still be laughter; whereas highly emotional souls, in tune and unison with life, in whom every event would be sentimentally prolonged and re-echoed, would neither know nor understand laughter. Try, for a moment, to become interested in everything that is being said and done; act, in imagination, with those who act, and feel with those who feel; in a word, give your sympathy its widest expansion: as though at the touch of a fairy wand you will see the imsiest of objects assume importance, and a gloomy hue spread over everything. Now step aside, look upon life as a disinterested spectator: many a drama will turn into a comedy. It is enough for us to stop our ears to the sound of music, in a room where dancing is going on, for the dancers at once to appear ridiculous. How many human actions would stand a similar test? Should we not see many of them suddenly pass from grave to gay, on isolating them from the accompanying music of sentiment? To produce the whole of its effect, then, the comic demands something like a momentary anesthesia of the heart. Its appeal is to intelligence, pure and simple

Question: 1

What does the author BEST mean when they say, “it seems as though the comic could not produce its disturbing effect unless it fell, so to say, on the surface of a soul that is thoroughly calm and unruffled?”

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Humor and laughter are best appreciated when emotions like pity, sadness, or anger are suspended. Detachment allows the mind to perceive incongruity without interference from strong feelings.
Updated On: Nov 26, 2025
  • Unless one is emotionally detached from the event, it is impossible to appreciate a comical view.
  • To appreciate humour with an unsettling tone, people benefit from being in a calm state.
  • Comics are the most effective when the audience is unaware of the context.
  • Comical behaviour disturbs those more deeply whose minds are calm and composed.
  • Relaxed people tend to find edgy or disturbing comedy funnier.
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The Correct Option is A

Solution and Explanation

Step 1: Identify the author's core assertion.
The text states that comic effect is contingent upon the "soul [being] thoroughly calm and unruffled." This indicates that laughter necessitates a lack of profound emotional engagement. When an individual is emotionally agitated, whether by sorrow, sympathy, or intense feeling, laughter is impossible.
Step 2: Define the function of detachment.
The passage posits that "absence of feeling" is the requisite state for humor. Consequently, to perceive something as funny, one must remain uninvested emotionally in the situation. In essence, detachment facilitates a humorous perspective.
Step 3: Assess the provided options.
- Option A: Accurate. It directly aligns with the author's argument that emotional detachment is prerequisite for a humorous outlook. - Option B: Partially accurate, but it limits the scope by emphasizing "unsettling tone" over the general need for detachment. - Option C: Inaccurate. The author does not address audience ignorance of context, but rather emotional disengagement. - Option D: Inaccurate. Composed minds do not experience deeper "disturbances"; instead, they are conducive to humor. - Option E: Inaccurate. The passage does not suggest that relaxed individuals enjoying "edgy/disturbing" comedy is the central idea.
Step 4: Formulate the conclusion.
The author asserts that emotional detachment is the fundamental requirement for laughter. Therefore, Option A best encapsulates the intended meaning.
Final Answer: \[\boxed{\text{A}}\]
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Question: 2

Based on the passage, which of the following statements CANNOT be inferred?

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When tackling inference questions, be careful with absolute words like “only,” “always,” or “never.” They usually distort the author’s nuanced point.
Updated On: Nov 26, 2025
  • Comic happens in a setting of emotional detachment, having a sense of distance.
  • Inanimate objects can become a subject of laughter because they may project human characteristics.
  • Humour only springs from experiences that demand momentary anesthesia.
  • When strong emotions are involved, laughter cannot be evoked.
  • When you laugh at a hat, you laugh at a human being it represents.
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The Correct Option is C

Solution and Explanation

Step 1: Identify the core concept of the text.
The text asserts that laughter necessitates emotional detachment. It can be elicited by anthropomorphic objects (e.g., hats, animals) and is incompatible with intense emotions such as pity or sadness.
Step 2: Evaluate each proposed option.
- Option A: Correct. The text explicitly states that laughter occurs when the "soul is calm and unruffled," signifying emotional detachment. - Option B: Correct. The text indicates that even inanimate objects (e.g., hats) can provoke laughter if they bear a human resemblance. - Option C: Incorrect. The text posits that laughter is linked to a lack of emotion, not that humor exclusively originates from states akin to anesthesia. The phrase "only springs" represents an overstatement, rendering it uninferable. - Option D: Correct. The author emphasizes that strong emotions inhibit laughter. - Option E: Correct. The author illustrates this by noting that laughter at a hat is directed at the human it represents.
Step 3: Determine the conclusion.
Option (C) is the sole option that CANNOT be deduced from the provided text.
Final Answer: \[\boxed{\text{C}}\]
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Question: 3

Based on the passage, which of the following statements will the author BEST agree with?

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For “author would BEST agree” questions, focus on the overall philosophy of the passage, not isolated phrases. Match the option that captures the central theme.
Updated On: Nov 26, 2025
  • Comedy is simply a funny way of being serious.
  • Life is a tragedy when seen in close up but a comedy in long-shot.
  • Comedy is an escape, not from truth but from despair.
  • A person who knows how to laugh at himself will never cease to be amused.
  • Comedy is but tragedy, cunningly disguised and popularized for the multitude.
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The Correct Option is B

Solution and Explanation

Step 1: Identify the passage's central theme.
The passage advocates for a detached perspective, viewing life as an observer. It posits that from a calm, removed viewpoint, dramatic situations can be perceived as comedic due to the absence of emotional involvement.
Step 2: Evaluate each proposed option.
- Option A: Oversimplified. The author does not equate comedy with a different form of seriousness. - Option B: Accurate. This aligns with the author's assertion that life, when experienced emotionally and up close, appears tragic, but when observed with detachment (from a distance), it can be perceived as comic. - Option C: Inaccurate. The passage does not present comedy as a means to avoid sorrow, but rather as a viewpoint necessitating detachment. - Option D: Too focused on the individual. The passage discusses universal conditions for humor, not personal self-amusement. - Option E: Inaccurate. The author does not suggest that comedy is merely tragedy in disguise.
Step 3: Draw a conclusion.
Option B most accurately reflects the author's perspective on comedy.
Final Answer: \[\boxed{\text{B}}\]
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