Question

Match List-I with List-II

List-I (Rasa Theory)	List-II (Number)
(A) Sanchari Bhava	(III) 4
(B) Nava-Rasa	(II) 9
(C) Abhinaya	(I) 33
(D) Sattvika Bhava	(IV) 8

Choose the correct answer from the options given below:

• (A) - (I), (B) - (II), (C) - (III), (D) - (IV)
• (A) - (I), (B) - (II), (C) - (IV), (D) - (III)
• (A) - (IV), (B) - (II), (C) - (III), (D) - (I)
• (A) - (III), (B) - (IV), (C) - (I), (D) - (II)

Hint:

Remembering these key numbers is fundamental to understanding Rasa theory: 4 types of Abhinaya, 8 Sthayi Bhavas, 8 Sattvika Bhavas, 9 Rasas (Nava-Rasa), and 33 Sanchari Bhavas.

Answer 1

The Correct Option is A

Step 1: Conceptual Grasp: The objective is to correlate principal Indian aesthetic (Rasa) and dramatic theory concepts with their numerical representation in classical treatises.

Step 2: In-depth Analysis:
- (A) Sanchari Bhava (or Vyabhichari Bhava): These are transient emotions augmenting the primary sentiment (Sthayi Bhava). Classical texts document 33 such emotions. Thus, A corresponds to (I).
- (B) Nava-Rasa: This denotes the 'nine rasas' or aesthetic sentiments perceived by the audience. Bharata Muni initially identified eight, with Shanta Rasa (serenity) being added later for a total of 9. Consequently, B aligns with (II).
- (C) Abhinaya: This is the art of dramatic and dance expression, categorized into 4 forms: Angika (bodily), Vachika (vocal), Aharya (costume/makeup), and Sattvika (internal emotional manifestation). Therefore, C pairs with (III).
- (D) Sattvika Bhava: These are the eight involuntary physiological responses to an internal emotional state, as listed in classical texts (e.g., perspiration, lacrimation, tremor). Hence, D relates to (IV).

Step 3: Conclusive Resolution: The accurate pairing is A-I, B-II, C-III, D-IV.