Question

Match the following pigments (List-I) with their sources, (List-II) in Mughal school
\[\begin{array}{|l|l|} \hline \text{List-I (Pigments)} & \text{List-II (Source)} \\ \hline \text{(A) Ultramarine} & \text{(I) Cinnabar} \\ \hline \text{(B) Bright yellow} & \text{(II) Orpiment} \\ \hline \text{(C) Vermilion} & \text{(III) Lapiz Lazuli} \\ \hline \text{(D) Lampblack} & \text{(IV) Charcoal} \\ \hline \end{array}\]
Choose the correct answer from the options given below:

• (A) - (III), (B) - (II), (C) - (I), (D) - (IV)
• (A) - (I), (B) - (III), (C) - (II), (D) - (IV)
• (A) - (I), (B) - (II), (C) - (IV), (D) - (III)
• (A) - (III), (B) - (IV), (C) - (I), (D) - (II)

Hint:

Some pigment-source connections are fundamental in art history. Remember these key pairs: Ultramarine = Lapis Lazuli (Blue), Vermilion = Cinnabar (Red), and Orpiment = Yellow. Knowing just these three is often enough to solve such matching questions.

Answer 1

The Correct Option is A

Step 1: Concept Identification:
This task involves correlating traditional pigments from Mughal miniatures with their respective mineral or organic origins.

Step 3: Detailed Correlation:
(A) Ultramarine: This deep blue pigment was historically produced by pulverizing the semi-precious stone Lapis Lazuli. Therefore, (A) corresponds to (III).
(B) Bright yellow: A vivid yellow pigment used in Indian art was derived from the mineral Orpiment, an arsenic sulfide. Thus, (B) corresponds to (II).
(C) Vermilion: This brilliant scarlet red pigment's natural source is the mineral Cinnabar (mercury sulfide). Consequently, (C) corresponds to (I).
(D) Lampblack: This deep black pigment is a form of carbon soot obtained from burning oil or fat, essentially fine Charcoal. Hence, (D) corresponds to (IV).

Step 4: Conclusion:
The definitive matching order is (A) - (III), (B) - (II), (C) - (I), (D) - (IV).