Question:medium

Match List-I with List-II

List-I (Dance Movements)List-II (Description)
(A) Cārīs(I) Dance Postures
(B) Mandalas(II) Circular Movements
(C) Karaṇas(III) Foot & Leg Positions
(D) Aṅgāhāras(IV) Movements of Hands


Choose the correct answer from the options given below:

Show Hint

In 'match the following' questions, start by identifying the most certain and obvious pairs. Use these to eliminate incorrect options. Even if some pairs seem ambiguous or poorly described, the process of elimination can often lead you to the correct answer.
Updated On: Jan 16, 2026
  • (A) - (I), (B) - (II), (C) - (III), (D) - (IV)
  • (A) - (II), (B) - (I), (C) - (III), (D) - (IV)
  • (A) - (III), (B) - (II), (C) - (IV), (D) - (I)
  • (A) - (IV), (B) - (I), (C) - (II), (D) - (III)
Show Solution

The Correct Option is C

Solution and Explanation

Step 1: Conceptual Understanding: This task involves correlating technical terms from Indian classical dance, as defined in the Nāṭyaśāstra, with their simplified explanations.
Step 2: Detailed Explanation: We will define each term in List-I and identify the most appropriate match from List-II.
(A) Cārīs: A Cārī is a coordinated movement of the foot, calf, thigh, and hip of one leg, representing movement or gait. The most fitting description is (III) Foot & Leg Positions, as it primarily pertains to the lower limbs.
(B) Maṇḍalas: A Maṇḍala is a pattern traced on the ground by the dancer, formed by a sequence of Cārīs. These patterns can be linear, circular, or complex. (II) Circular Movements accurately describes the resulting floor patterns.
(C) Karaṇas: A Karaṇa is a fundamental unit of dance, a transitional movement combining a specific stance (sthāna), leg movement (cārī), and hand gesture (nṛtta hasta). The Nāṭyaśāstra outlines 108 Karaṇas. While it is a full-body movement and options are simplified, the Nṛtta Hasta is a key component.
(D) Aṅgāhāras: An Aṅgāhāra is an extended dance sequence composed of six, seven, eight, or nine gracefully linked Karaṇas.
Step 3: Matching and Final Answer: We will use elimination based on the most definitive matches.


(A) Cārīs clearly matches (III) Foot & Leg Positions.

(B) Maṇḍalas clearly matches (II) Circular Movements.

Option (3) is the only one containing both these matches: (A)-(III) and (B)-(II). Let's review the remaining pairings in option (3).


(C) Karaṇas is matched with (IV) Movements of Hands. This is an incomplete depiction, as a Karaṇa involves the entire body, but the Nṛtta Hasta (dance hand gesture) is a crucial element. Within the constraints of the provided options, this may be the intended, albeit simplified, association.

(D) Aṅgāhāras is matched with (I) Dance Postures. An Aṅgāhāra is a sequence of movements, not a static posture. However, given its composition of Karaṇas, which can often be interpreted as poses, this might represent the intended logic.

Considering the strong and exclusive matches for (A-III) and (B-II) in option (3), it emerges as the most probable correct answer, despite potential imprecision in the other pairings.
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