Question

Match List-I with List-II:

Choose the correct option:
 

• A. III II I IV
• B. II III I IV
• C. I II III IV
• D. I III II IV

Hint:

Pakad → Bageshri; Gram → Madhyam; Shruti → Bhairav; Ragvivekadhyaya → Sangeet Ratnakar.

Answer 1

The Correct Option is C

1. G M D D P → Bageshri: The melodic phrase G M D D P serves as a defining signature or 'pakad' for Raga Bageshri, illustrating its characteristic descending motion from Dha to Pa, with a distinct emphasis on Ma and Ga.
2. DMPDG, MGRS → Madhyam Gram: This sequence exemplifies the melodic treatment of Madhyam Gram, an archaic pitch system characterized by a unique tuning of the Pancham. The phrase prominently features Madhyam.
3. Three shruti pancham → Bhairav: Historically, within the microtonal (shruti) system, the Pancham of Raga Bhairav is described as being positioned three shrutis above its fundamental note, a technical detail found in ancient musical treatises concerning tuning.
4. Ragvivekadhyaya → Sangeet Ratnakar: Ragvivekadhyaya is a specific chapter within Sharngadeva's renowned musical treatise, Sangeet Ratnakar. This section critically examines the classification, theoretical framework, and microtonal principles of ragas.