Sangeet Parijat, a 17th-century Sanskrit music treatise by Ahobal Pandit, consolidates ancient musical theories from works like Sangeet Ratnakar and Brihaddeshi. The text systematically addresses swaras, ragas, talas, and various musical forms. It enumerates 29 swaras, elaborating on scales, shrutis, and microtones. Furthermore, Sangeet Parijat details raga lakshanas (characteristics), their classifications (jatis), and applications. This work bridges medieval and modern North Indian music theory and continues to be an essential resource for scholars and musicologists of Hindustani classical traditions.