Step 1: Concept Overview:
G. R. Santosh was a prominent figure in India's Neo-Tantric art movement. Tantric philosophy frequently examines cosmic duality, where the convergence of opposing yet complementary forces is seen as the origin of all creation.
Step 3: Detailed Explanation:
Within Hindu philosophy, specifically Samkhya and Tantra, "Purusha" embodies the male aspect: pure consciousness, the observer, and the unmanifest spirit. "Prakriti" represents the female aspect: nature, creative energy, and the manifested world. The universal union of Purusha and Prakriti (or the analogous Shiva and Shakti) signifies the universe's creation and the ultimate state of non-duality. G. R. Santosh's art is celebrated for its abstract and symbolic depiction of this union, employing geometric shapes and vivid hues to portray the interaction between these two fundamental energies.
Step 4: Conclusion:
The depiction of cosmic union in G. R. Santosh's Tantric artworks directly reflects the philosophical principle of Purusha and Prakriti.
| LIST-I Artwork | LIST-II Main theme/concept | ||
|---|---|---|---|
| A. | Tiller of the Soil | I. | ancient mythological stories |
| B. | Woman and Child | II. | the daily activity of a common man and in a village |
| C. | Rama Vanquishing the Pride of the Ocean | III. | made use of language and syntax of Cubism to render his ideas. |
| D. | City in the Night | IV. | the two-dimensional nature of the painting is derived from pat paintings |