List of top Hindustani Music (Vocal-Instrumental) Questions on Raga Theory asked in CUET (PG)

Select the Raags of “Audav-Sampoorna” Jati in the following: \[ \text{A. Bihag} \] \[ \text{B. Multani} \] \[ \text{C. Shree} \] \[ \text{D. Chhayanat} \] \[ \text{E. Patdeep} \]

Raga Patdeep has the following characteristics: \[ \text{A. It belongs to Kafi thata} \] \[ \text{B. Its vadi P and samvadi S} \] \[ \text{C. Rendering time is early morning} \] \[ \text{D. The phrase } G\ M\ P\ N,\ D\ N\ S\ D\ P \text{ is important} \]

Indicate the Swara Sangatis used in the Raag “Darbari Kanhada” in the following: \[ \text{A. } Re\ Ga\ Re\ Sa \] \[ \text{B. } Ga\ Ma\ Re\ Sa \] \[ \text{C. } Ma\ Dha\ Ni\ Sa \] \[ \text{D. } Dha\ Ni\ Re\ Sa \] \[ \text{E. } Sa\ Dha\ Ni\ Pa \]

Arrange the ragas according to their increasing number of Vikrit Swaras: \[ \text{A. Patdeep} \] \[ \text{B. Bageshri} \] \[ \text{C. Puriya Dhanashri} \] \[ \text{D. Bairavi} \]

Arrange the following ragas in order of Vadi Swaras Re, Ga, Ma, Pa, Dha: \[ \text{A. Kamod} \] \[ \text{B. Bhimpalasi} \] \[ \text{C. Khamaj} \] \[ \text{D. Jaunpuri} \] \[ \text{E. Darbari} \]

Arrange the ragas according to their rendering time from evening to morning: \[ \text{A. Marwa} \] \[ \text{B. Bageshri} \] \[ \text{C. Ahir Bhairav} \] \[ \text{D. Malkauns} \] \[ \text{E. Shyam Kalyan} \]

Given below are two statements: one is labelled as Assertion (A) and the other is labelled as Reason (R). \[ \text{Assertion (A): The rendering time of Raga Bhimpalasi is in the afternoon according to time theory.} \] \[ \text{Reason (R): In Bhimpalasi the phrase } R\ N\ S,\ M \text{ is present.} \] Choose the most appropriate answer from the options given below:

Given below are two statements: one is labelled as Assertion (A) and the other is labelled as Reason (R). \[ \text{Assertion (A): Rag Bhupali belongs to Kalyan Thata.} \] \[ \text{Reason (R): Tivra Madhyam is used in Bhupali.} \] Choose the most appropriate answer from the options given below:

Raag of which Thaat group are sung in Sandhi Prakash Varga (Re, Dha Komal Varga), according to Samay-Siddhant?

Identify the correct group of Purvangavaadi Raags out of the following:

Which one is the Uttaranga Vadi Raga of the following?

Which one is a Paramel Praveshak Raga?

What is not common between Raag Marwa and Puriya?

Identify the Raga by following characteristics: \[ \text{Thaat: Bhairavi, \quad Jati: Audav-Audav, \quad Vadi-Samvadi: Ma-Sa} \]

Which one belongs to a Raga of Kalyan thaat?

The phrase belongs to which raga of the following: \[ R,\ P,\ G,\ M,\ P,\ G,\ M,\ R,\ S \]